THE VICISSITUDES OF THE TEMPLAR PERIOD

From that moment, develops the hypothesis that the lake had been the silent tomb of this girl, who was an animal lover, almost a feminine prototype of Orpheus and of The Celtic Goddess,to whom Querini, inspired by the Celtic Brigit, had dedicated a sculpture, later taken away by the French in 1797 with other statues that were present in the Sacred Grove. (Celtic goddess' image) Assuming a story even more ancient - forbidden by the Christianization- this tale, transmitted by the elders of the place, it could also be related to the last Celtic Priestess who cured the free pasture of horned animals present above the Temple.

THE TEMPLARS OF THE PORT OF THE ANGELS IN 1300 IN ARCUGNANO

While the passage of the Romans is supported by written evidence, the Templar language, as for the permanent Celtic population, was based on a specific symbology reserved for an elite.
The Templars were a fascinating cultural combination of a confraternity of monks-knights and navigators, in association with the local authorities. In this particular Order of the Knights, could govern only who really has the capability and an appropriate cultural knowledge. In addition to that, also the Aesthetics, in its relation to the environment, was a really important element. Templars were people atavistically expert in subjects such as astronomy: working in teams, they oriented the constructions and the buildings following the constellations of the sky, impressing a series of messages destined to a chosen part of the population and invisible to the mass.
They long stationed in the hills of Arcugnano along the edge of the Great Lake Longara (Great Lake Vicenza) protecting the population and the pilgrims coming from the north, who came here to embark. Moreover, as ports proliferated, they traded thanks to the development of the banks, planted with cereals, in particular around the entire Great Lake of Vicenza, which now confine to Lake of Fontega. Lake of Fontega, inside its namesake bay, is still visible in all its beauty, usually towards the spring.
The Knights were a brotherhood united by dogmas and arts and crafts: they were expert in teamwork, aware that only in that way they could enrich a community, thereby forgetting fears, insecurities, bad thoughts and labels.
If the ancient Celts were masters of alchemy and agriculture, the Templars were also masters of engraving: they carved stones and, in addition, they introduced a system of monetary exchange throughout the known world, from the antipodes of Denmark to Jerusalem, that today we could compare to a modern Money Transfer or Western Union.

THE FLIGHT OF THE TEMPLAR KNIGHT FROM THE BANKS OF THE GREAT LAKE LONGARA, IN ARCUGNANO

The escape took place before the guards, with the bailiff, after having notified of an imminent "delivery", arrived to confiscate not only ships, but also animals. *not even in the twentieth century, after five centuries, the persecution of the Knights ceased. In fact, in 1841, a mayor of Vicenza called Francesco Bressan decreed the demolition of a bell tower of their ancient church, where pilgrimss and crusaders were waiting for embraking.
It happened that, after spending days in selling off whatever they can, in exchange for cash to buy food in quantity for their animals, Sergeants and Knights took the road to sea in a grey and cold winter day. (Bisatto Canal)
During the night they had already opened all the fences, and so they were forced to abandon flocks of sheep, oxen, horses, that could not be carried by a vessel of 23 meters.
There were not enough places on board for all those ships. Soon, it was the time to cry embraced to their loyal horses, that more than one of these riders had to leave. A horse and a rider, in fact, represented an inseparable entity.
During the sentimental separation, the desperate neighing of horses, together with the other animals left to their fate, was only covered by the sound of the ice, broken with the passage of boats. They were the last witnesses spectators, who lined up at the harbor from the shore to the west with an eye to the Isthmus of Tormeno. They saluted the boats of the templars that disappear on the horizon to reach the open sea.
Since then, the mystery was about the route. No one heard anything. Probably, they joined the fleet that had taken the route to the ocean, which started from Porto to La Rochelle. Perhaps, forcing by cunning the controls of Gibraltar, they joined the ships that had taken the route to the ocean. Perhaps the enemies-friends Egyptians allowed them to get to Suez and, from here, change boat and identity, moving by horse to China.
Probably, only the calculation with sophisticated technologies will be able to find the place in the Adriatic, the Mediterranean or in the Ocean where the fleet was probably sunk, because of the haste dictated by fear that prevail over wisdom in those desperate riders.
This is the most probable hypothesis, since every trace of those three boats disappeared.
In this search for the lost fleet, that will start in the summer of 2015, will be used the same tools as radar, satellite, sonar etc. that led to the discovery of the presumed wreck of the Santa Maria of Christopher Columbus, though it seems certain that the wreck belongs to a Templar ship wrecked previously. The companies which want to contribute to the discovery, may require specialized staff such as those formed with Jaque Costeu and even enthusiasts underwater, such as the ones who have found the carcass of the Little Prince, Antoine de Saitt .Exupery at the Bay of Angels. The companies which want to contribute to the discovery, may require specialized staff , such as the one formed with Jacque Costeu and also enthysuasts skin divers, such as the ones who have found the rests of the Little Prince, Antoine de Saitt Exupery, at he Bay of Angels. (Santa Maria di Cristoforo)
The satellitars equipment, are the same that find a confirmation of the exact position of the basis buried under the ground of the Ancient Church of Longara. The place of prayer was upon the rock that leads to St. Rocco, which until 1300 was 200 meters away from the current (Test with radio carbon attested that the columns of this church are going to support the gable of a neighboring mansion) over their orthogonal tower, a barn still present although distorted.

METHODS USED IN THE RESEARCH AT ARCUGNANO

With the advent of television, the expansion of culture, teamwork of specialists and interpretation of the maritime language Sabir (survived only through oral transmission made by willing people) have allowed this pidgin to survive in this page rich in history.
Moreover, an increasing development in intercommunication and data exchange allows us to expand our horizons more and more. Maybe we are just at the beginning of a period that, by crossing data and information, will allow us to be ready to put into question axioms, that appeared certain dogmas only because they come from the past.
If we used drilling to sample tracks in the ground, it is only thanks to the use of satellites that we could confirm the architectural skills of the Templar Knights and interpretate their amazing talent and love for creation.
This research, last more than 25 years, has been previously transmitted from father to son for 150 years.
In the centuries, for ethnic or religious reasons, several attempts to recover the property failed.
The decisive factor was the contribution of the Sponsors specialized in Satellite technologies, which were able to work in an area that has lost its privacy about the airspace: in this way, the research did not have to follow any administrative procedures, elsewhere endless. This research has also allowed us to analyze the whispering of the birds from a really remote distance, understanding their language and following their migration (the same followed by the ancient inhabitants, who migrated here considering it a divine phenomena): an aspect which, previously, was thought impossible to understand. It is a language underestimated for too long, if you want to understand the geophysical phenomena of the territory, the nowledge of mathematics, soil analysis, geometry, geography, astronomy, music, and finally the interpretation of the French Maritime language and symbology Sabir, which could survive without being influenced by political changes, struggles between Padovani and Scaligeri and between lords of Verona and Vicenza, the war of the river Bacchiglione and the ones of racial and religious diversity.
The precious annotations written in parchment, which concern the passages of three unusual long boats in the morning of 20th December 1307 (five days before Christmas), testify the escape.
Finally, a decisive importance is also linked to the careful consultation of documents, written in old German, about acts of succession of the Teutonic Knights of Deutsche Orden: these documents were present in 1308 in the municipalities of origin, before and after the Knights' trip, that is after their return to Archeoagno ( in Lacus Fontego Venetiano . After a journet of 30 days on horseback, it seemed that only 2 of the 3 Knights were able to return there.

INTERPRETATION OF THE SYMBOLOGY LEFT FROM THE TEMPLAR KNIGHTS IN ARCUGNANO

Arcugnano, as in places similar to the soil of the former Gaul, as the works of the Knights in the danish island of Bornholm, invisible drawings traced by the planets in the firmament were represented. Each planet, moving in its orbit, reaches positions where the Earth, the Sun and planets form a direct alignment. In any planet, each revolution produces a fixed number of alignments, and each planet differs from the others in number of alignments, in the form and in the movements produced.
For example, the orbit of Mercury produces three alignments of this kind. Combining the three points, you can compose an irregular triangle. Precisely, they are the ones which are reflected in the Bay of Angels, in Arcugnano. For Mars, the Sun and the Earth there are four alignments during each revolution. The result is a form of a quadrilateral. Only one of these invisible designs is regular. Only a planet trace a perfect geometric figure. The figure is the pentagon and the planet is Venus. (Costellazione Draco)
Creating five alignments, regularly separated during a period of five years, Venus draws in the sky a perfect, hidden and secret symbol of a five-pointed star. In the area of Rennes le Chateau, mountains recreate the symbolism of the pentagon traced by the movement of the planet Venus.
The precious discovery of a series of dated photographs of Arcugnano, has allowed archaeologists to recognize the Templar symbology in the church of Tormeno. In fact, the rose window of the church, represents a Templar pentacle star.
Today we have only one photograph that testifies it: the photo comes from the mayor of Vicenza Francesco Bressan, which made it removed in order to cancel it permanently from the memory. However, thanks to the advent of photography, someone was able to save this survived signal before it was removed. In this Templar Church of the Isthmus of Tormeno, in the nearby facade of the villa, we see the Barco of the Templars with the faces of the seven sages represented in the beautiful facade of a building.They are probably the Templar Knights which allocated in the area. ( whose carved faces may come from the ex nearby place of Templar Police). The Barco, between the end of 1400 and the beginning of 1500 (a period which coincides with the lowering of the Great Lake Longara) was a vast quadrangular plain (fence of animals destined for hunting).
The term barco (or embargo) is probably from the Latin parricum and indicates an enclosed land.
There was an hypothesis that the lake had been the silent tomb of this black lady, Juliet, who was an animal lover, almost a feminine prototype of Orpheus and of The Celtic Goddess, to whom Querini, inspired by the Celtic Brigit, had dedicated a sculpture, later taken away by the French in 1797 with other statues that were present in the Sacred Grove.
Assuming a story even more ancient - forbidden by the Christianization- this tale, transmitted by the elders of the place, it could also be related to the last Celtic Priestess who cured the free pasture of horned animals present above the Temple.

AND HERE'S THE MORE CREDIBLE VERSION OF WHO TIETTA (JULIET) REALLY WAS

One of these girls could have woven a dangerous relationship with a Noble Knight Teutonic Templar, allocated at that time at the Commandery of the Temple. (Templars today).
Perhaps, a knight escaped in 1307 precisely from the secret passage that leads from the temple to the center of the Amphitheatre. But it seems that the three people were the Teutonic Knights, who chose not to take off embarking with others, and who returned home by horse, maybe because they did not want to abandon their horses or because they believed that they would not be molested by taking the ancient Gaul street to return to the Baltic.
"Les sorcières ont cessé d'exister quand nous avons cessé de les brûler". So in 1700 wrote Voltaire in his Philosophical Letters. Also Juliet would have been destined to a sad and dangerous fate, if she had professed her relationship with the noble Templar Knight. The denunciation was an obligation that is still imposed in some states such as Switzerland, which, until 1600, includes judges, ancestors of the same judgmental class who sent on trial and burned at the stake many maidens, only guilty of dreaming. If we look for evidences about these crimes, the archives are available.
In these processes 80% of the accused people were female; the most creditable estimates speaks about 110,000 jobs, which took place mainly in Germany(50,000), Poland(15,000), France (10,000), Switzerland (9000), the British Isles (5000), the Scandinavian countries (5000), Spain (5,000), Italy (5000) and Russia (4000) .Was considered a "witch" also who owned black cats, had red hair or a mole in the iris of the eye (the so-called "devil's sign").
That Knight on the run, choosing the best route to get back in Denmark, could not inquire with the news or Google or Wikipedia.
So, beyond the kidnappings and the Barbary pirates - who are dividing the spoils off the Mediterranean still today and even at that time, into their ports of Algiers and Tripoli - if the beautiful Juliet had not mysteriously migrated and kidnapped, probably she would have ended incinerated.
Let explore the difficult tormented period of those four centuries, when kisses and effusions could be signaled and bandits, while people could be put under torture on the simple basis of anonymous denunciation. Then, try to be in the shoes of Count Luigi Da Porto, or of some other sensitive sculptor or local painter. After learning the story and inspired by its plot, what, where and how would you set such a beautiful, what troubled story of Love?
Would you have set this story in its place of origin or in the period of the Holy Inquisition? The novel "Romeo and Juliet" makes no mention of the Holy Inquisition. How so?
And John Florio, son of parents who took repare in England, knew what it was. Amen